About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Tag Archives: benjamin britten
Britten’s Billy Budd
I am not used to thinking of the twentieth century as a period that produced great operas, but two of my favorites—Alban Berg’s Wozzeck and Benjamin Britten’s Billy Budd—were first performed in 1925 and 1951, respectively. I have never seen … Continue reading
Song and Dance Man
The two operas directed by Mark Morris that appeared at BAM last weekend were as different from each other as they could be, and yet each bore the mark (so to speak) of their choreographer-director. What this means, among other things, … Continue reading
Posted in The Lesser Blog
Tagged bam, benjamin britten, curlew river, dido and aeneas, douglas williams, henry purcell, mark morris, stephanie blythe
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