About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Tag Archives: zankel hall
The Knights and Other Nights
There are eight million music stories in the naked city. Here are three of them: October 24: Last Thursday marked my official return to Carnegie Hall this season, and it helped that I was hearing The Knights. This small, vigorous … Continue reading
Bonding with the Audience
I have loved the Danish String Quartet ever since I first started listening to them, and I’ve already written about them once or twice in The Threepenny Review, as well as many times on this blog. I have no trouble … Continue reading
Youth and Age
It’s always great to return to Carnegie Hall with a bang, and I certainly got that thrill last week. I was able to attend two amazing concerts with two days of each other, each exemplifying something completely different about the … Continue reading
Leila Josefowicz at Zankel
I first learned about Leila Josefowicz eight years ago, shortly before she won her MacArthur award, and because I was working on Shostakovich at the time, I acquired her recording of his notoriously difficult Violin Concerto No. 1. It was a knockout, and I resolved … Continue reading
Arcangelo
Going to hear a musical group you’ve never heard before always entails a risk, but the risk tends to be less with Baroque music, which—if it is played at all—is usually played at a fairly high standard. The risks in … Continue reading