About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
Recent Posts
Archives
- December 2024 (3)
- November 2024 (1)
- October 2024 (3)
- June 2024 (1)
- May 2024 (2)
- April 2024 (3)
- March 2024 (2)
- February 2024 (1)
- December 2023 (1)
- November 2023 (1)
- October 2023 (1)
- September 2023 (1)
- July 2023 (1)
- June 2023 (1)
- May 2023 (1)
- March 2023 (1)
- February 2023 (1)
- October 2022 (1)
- March 2022 (1)
- November 2021 (2)
- August 2021 (1)
- July 2021 (1)
- May 2021 (1)
- October 2020 (1)
- June 2020 (1)
- March 2020 (2)
- February 2020 (2)
- January 2020 (1)
- November 2019 (1)
- October 2019 (1)
- September 2019 (1)
- July 2019 (1)
- May 2019 (2)
- April 2019 (2)
- March 2019 (2)
- December 2018 (1)
- November 2018 (1)
- October 2018 (1)
- September 2018 (1)
- August 2018 (1)
- July 2018 (2)
- May 2018 (1)
- April 2018 (1)
- March 2018 (1)
- February 2018 (1)
- January 2018 (2)
- December 2017 (1)
- November 2017 (1)
- October 2017 (2)
- September 2017 (1)
- July 2017 (1)
- May 2017 (1)
- April 2017 (1)
- March 2017 (2)
- February 2017 (2)
- January 2017 (1)
- December 2016 (1)
- November 2016 (1)
- October 2016 (2)
- September 2016 (2)
- July 2016 (1)
- June 2016 (1)
- May 2016 (1)
- April 2016 (1)
- March 2016 (2)
- February 2016 (2)
- January 2016 (1)
- December 2015 (1)
- November 2015 (3)
- October 2015 (1)
- September 2015 (1)
- August 2015 (1)
- July 2015 (1)
- May 2015 (2)
- April 2015 (2)
- January 2015 (2)
- November 2014 (1)
- October 2014 (2)
- September 2014 (2)
- August 2014 (2)
- June 2014 (3)
- May 2014 (1)
- April 2014 (4)
- February 2014 (2)
- January 2014 (1)
- December 2013 (2)
- November 2013 (4)
- October 2013 (1)
- September 2013 (2)
- August 2013 (3)
- July 2013 (3)
- January 2013 (1)
- May 2012 (1)
- March 2012 (1)
- October 2011 (1)
- April 2011 (1)
- January 2011 (1)
- December 2010 (1)
- August 2010 (1)
- May 2010 (1)
- March 2010 (1)
- February 2010 (2)
- December 2009 (1)
- November 2009 (2)
- September 2009 (1)
- April 2009 (1)
- December 2008 (1)
- October 2008 (1)
- May 2008 (1)
- March 2008 (1)
- February 2008 (1)
- November 2007 (1)
- June 2007 (1)
- March 2007 (1)
- January 2007 (1)
- October 2006 (1)
- September 2006 (1)
- July 2006 (1)
- June 2006 (1)
Tag Archives: stravinsky
Progress
Musically and dramatically, the production of The Rake’s Progress that I saw last night at the Met was practically perfect. From the moment Paul Appleby appeared onstage in the central role of Tom Rakewell—swinging his arms and shuffling his feet … Continue reading
Posted in The Lesser Blog
Tagged hogarth, jonathan miller, metropolitan opera, paul appleby, rake's progress, sir john soane, stravinsky
Leave a comment
Dramatic Music
Two different kinds of dramatic music were paired at last weekend’s San Francisco Symphony concerts, and both were a success, though in very different ways. One had plot, characters, words, even narration—a veritable orgy of theatrical elements. The other, though … Continue reading