About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Tag Archives: ravel
Rainy Days and Live Music
January was a dry spell—not so much in terms of the California winter rains (we had the normal level) but in terms of live concerts I could attend. I wasted away at home, watching endless Netflix serials, some of which … Continue reading
Chamber Music
It is foolish to wade into the mild controversy currently surrounding the Chamber Music Society of Lincoln Center, but I have never been afraid of appearing foolish. It kind of goes with the territory. The controversy, typical of our day and … Continue reading
Pacifica Shostakovich
When I’m in New York, good music is only a short subway ride away. But now that I’m back home in Berkeley, I have to range somewhat farther afield. Last night, my husband and I drove for well over an … Continue reading
Programming
I would have gone to hear Olivier Messiaen’s Quartet for the End of Timeno matter what else was on the program. But by putting it together with other French twentieth-century pieces by Darius Milhaud, Pierre Boulez, and Maurice Ravel, the Chamber … Continue reading