About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Tag Archives: pierre boulez saal
Superlative Quintets
I am in Berlin now—a long-planned trip, so not an immediate reaction to November 5, but an escape nonetheless. It is good to be away, even if only for a short time, from the horrific goings-on I read about daily … Continue reading
Berlin Music Diary
All told, I attended eleven musical events over the course of three weeks. As is usual in my Berlin stays, none was a waste of time. Another way of putting it is that all were at least worth the 35 … Continue reading
Back in Berlin!
I’ve been here a little over a week now, and for the first time in seven or eight months, I am getting to hear live music again. It is so thrilling that I can barely analyze or even fully take … Continue reading
Posted in The Lesser Blog
Tagged berlin, berlin philharmonic, deutsche oper, konzerthaus, pierre boulez saal, simon rattle
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