About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Tag Archives: Mikhail Baryshnikov
March Madness
For the past few weeks I have practically been running from one performance to another. As follows: On Friday, March 11, and Sunday, March 13, I once again saw L’Allegro, il Penseroso ed il Moderato (this time at Cal Performances’ Zellerbach … Continue reading →
Purposeful
The Old Woman is many things, but a linear narrative in dramatic form it is not. Adapted from a Daniil Kharms story by Darryl Pinckney and staged by Robert Wilson, this astonishingly inventive production, now playing at BAM, is faithful … Continue reading →
Posted in The Lesser Blog
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Tagged A. J. Weissbard, bam, Daniil Kharms, Darryl Pinckney, Mikhail Baryshnikov, Robert Wilson, The Old Woman, Willem Dafoe
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