About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Tag Archives: lincoln center
Gerhaher
It never ceases to amaze me that critics can respond to a specific performance with such different takes. Sometimes I have trouble believing I was at the same concert as these other guys. This morning’s Times review of the recent … Continue reading
Great Performers
In this wintry New York spring, I have thus far managed to attend two Great Performers concerts at Lincoln Center. Both of them, not at all to my surprise, completely lived up to the series name. The first, on March 28, featured my favorite … Continue reading
Surrounding Beethoven
Whenever a Beethoven piano concerto with a prominent soloist appears on an orchestral program, it is likely to be the highlight of the evening. Yet concert protocol dictates that something more traditionally “substantial,” like a symphony, has to come last, with the piano concerto appearing … Continue reading
Orientalism on the Stage
By pure chance, I suppose, the first three performances I saw in New York this season were all afflicted with Orientalism, that hokey variety of East-West fusion which Edward Said brought to our collective attention a number of years ago. … Continue reading
News Flash
It turns out—to no one’s great surprise—that Mark Morris’s L’Allegro, il Penseroso, ed il Moderato, now a quarter-century old, is as amazing as it ever was. In fact, like many of the best works of art, it seems to have accumulated … Continue reading
Highlights from October
I was so busy attending things in October that I didn’t get a chance to write about any of them at the time. Now that we’re well into November, I’ve had an opportunity to reflect on the best of what … Continue reading