About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Tag Archives: iestyn davies
Czechs, Etc.
This week the Czech Philharmonic came to Carnegie Hall for three concerts in a row, and so did a huge number of Czechs. You could distinguish them from the normal Carnegie denizens because a) they were all dressed up—the men … Continue reading
Delirious Pleasure
In most years—and this one was no exception—my favorite concert of the year is the appearance at Carnegie Hall of Harry Bicket and his English Concert, performing yet another Handel opera or oratorio. Last Sunday it was Rodelinda, which happens … Continue reading
The last time I was at the Met…
Since the Metropolitan Opera—not to mention the Metropolitan Museum and anything else with Metropolitan or New York or City in its title—is on indeterminate hiatus during the current crisis, I thought I would reflect on the last opera I saw … Continue reading
A Bright White Light
Just about any concert performance of Pergolesi’s amazing Stabat Mater, I have learned, is worth going to. When you combine that with Vivaldi’s movingly lovely Gloria—and when you further add in the stellar skills of the Orchestra and Choir of the Age … Continue reading
Heaven
One of the high points of my spring visits to Carnegie Hall, these past few years, has been the annual performance by the English Concert of a Handel opera. It is the closest thing to a sure-fire ticket there is, … Continue reading
Three Carnegie Nights
And it would have been four, except that I couldn’t face going out to the same concert venue four nights in a row; even I have my limits. So I skipped the very tempting Ensemble ACJW performance that was scheduled for … Continue reading