About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
Recent Posts
Archives
- December 2024 (3)
- November 2024 (1)
- October 2024 (3)
- June 2024 (1)
- May 2024 (2)
- April 2024 (3)
- March 2024 (2)
- February 2024 (1)
- December 2023 (1)
- November 2023 (1)
- October 2023 (1)
- September 2023 (1)
- July 2023 (1)
- June 2023 (1)
- May 2023 (1)
- March 2023 (1)
- February 2023 (1)
- October 2022 (1)
- March 2022 (1)
- November 2021 (2)
- August 2021 (1)
- July 2021 (1)
- May 2021 (1)
- October 2020 (1)
- June 2020 (1)
- March 2020 (2)
- February 2020 (2)
- January 2020 (1)
- November 2019 (1)
- October 2019 (1)
- September 2019 (1)
- July 2019 (1)
- May 2019 (2)
- April 2019 (2)
- March 2019 (2)
- December 2018 (1)
- November 2018 (1)
- October 2018 (1)
- September 2018 (1)
- August 2018 (1)
- July 2018 (2)
- May 2018 (1)
- April 2018 (1)
- March 2018 (1)
- February 2018 (1)
- January 2018 (2)
- December 2017 (1)
- November 2017 (1)
- October 2017 (2)
- September 2017 (1)
- July 2017 (1)
- May 2017 (1)
- April 2017 (1)
- March 2017 (2)
- February 2017 (2)
- January 2017 (1)
- December 2016 (1)
- November 2016 (1)
- October 2016 (2)
- September 2016 (2)
- July 2016 (1)
- June 2016 (1)
- May 2016 (1)
- April 2016 (1)
- March 2016 (2)
- February 2016 (2)
- January 2016 (1)
- December 2015 (1)
- November 2015 (3)
- October 2015 (1)
- September 2015 (1)
- August 2015 (1)
- July 2015 (1)
- May 2015 (2)
- April 2015 (2)
- January 2015 (2)
- November 2014 (1)
- October 2014 (2)
- September 2014 (2)
- August 2014 (2)
- June 2014 (3)
- May 2014 (1)
- April 2014 (4)
- February 2014 (2)
- January 2014 (1)
- December 2013 (2)
- November 2013 (4)
- October 2013 (1)
- September 2013 (2)
- August 2013 (3)
- July 2013 (3)
- January 2013 (1)
- May 2012 (1)
- March 2012 (1)
- October 2011 (1)
- April 2011 (1)
- January 2011 (1)
- December 2010 (1)
- August 2010 (1)
- May 2010 (1)
- March 2010 (1)
- February 2010 (2)
- December 2009 (1)
- November 2009 (2)
- September 2009 (1)
- April 2009 (1)
- December 2008 (1)
- October 2008 (1)
- May 2008 (1)
- March 2008 (1)
- February 2008 (1)
- November 2007 (1)
- June 2007 (1)
- March 2007 (1)
- January 2007 (1)
- October 2006 (1)
- September 2006 (1)
- July 2006 (1)
- June 2006 (1)
Tag Archives: brahms
Filling Carnegie Hall
In the middle of April I heard three chamber-music concerts on the main stage of Carnegie Hall, and they were all, quite frankly, great. The first was the complete Brahms piano quartets, played by a dream ensemble that included Leif Ove … Continue reading
A Stupendous Saturday
Living in a place like Berkeley, one can sometimes feel deprived of great music, as if it is all happening somewhere else, in the great capital cities of the world. But I have never, in New York or London or Berlin, had … Continue reading
Conductors
For the first twenty or thirty years of my concert-going existence, I thought that the composer was everything. And then, a few years back, I began to notice how much difference a conductor could make. But even this realization did … Continue reading