About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Monthly Archives: December 2024
Again with The Hard Nut
I have to say, I never tire of it. I must have seen this Mark Morris production at least a dozen times over the course of the past three decades, and each time I see something new in it. I … Continue reading
Posted in The Lesser Blog
Tagged billy smith, brandon randolph, brooklyn academy of music, elisa clark, mark morris, the hard nut
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A German Requiem
The first time I was ever in the Berlin Philharmonic Hall, back in the fall of 2003, I heard Brahms’s German Requiem. It was the first time I’d ever heard the piece performed live, and it was not a work … Continue reading
Czechs, Etc.
This week the Czech Philharmonic came to Carnegie Hall for three concerts in a row, and so did a huge number of Czechs. You could distinguish them from the normal Carnegie denizens because a) they were all dressed up—the men … Continue reading
Posted in The Lesser Blog
Tagged carnegie hall, czech philharmonic, daniil trifonov, dvorak, fretwork, gil shaham, iestyn davies, janacek, mahler, semyon bychkov
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