About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Monthly Archives: October 2019
Another Berlin Diary
I spent a wonderful nine days in Berlin earlier this month, but I didn’t have my computer with me, so I am only now catching up on the Lesser Blog account. (Apologies for the delay, but I have yet to figure … Continue reading →
Posted in The Lesser Blog
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Tagged adam fischer, andras schiff, barrie kosky, berlin philharmonic, franz trio, günter papendell, hans werner henze, haydn, katya kabanova, konzerthaus, mendelssohn, mozart, otto pichler, sean panikkar, staatsoper, tanja ariane baumgartner, the bassarids, vladimir jurowski
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