About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Tag Archives: metropolitan opera
Urban Frenzy
I’ve been in New York for less than a week, and already the entire pace of my life has changed. When we’re in Berkeley, my husband and I spend at least five nights a week at home, watching movies or … Continue reading
Operas and Productions
An opera and its production are so closely linked that it is sometimes impossible to judge them separately. You can try to assess the music alone by repeatedly listening to a recording in the comfort of your own home, but … Continue reading
But Is It Opera?
This question was raised, in my own mind and that of several other audience members I spoke to, by the Metropolitan Opera’s admittedly terrific new production of Leos Janacek’s last operatic work, From the House of the Dead. Based on the Dostoyevsky … Continue reading
Wagnerian Time
Whether you find it easy or difficult to lend yourself to Wagner’s overwhelmingly powerful agenda—and I am still not sure where I stand on this question—you will be aware of having to alter something in yourself to accommodate his patently … Continue reading
In the Oddest Places
Over the past month, I’ve been finding the best music in places where I didn’t necessarily expect it, and less good music in places where I did. When this oddity occurred once, it didn’t seem worth remarking on, but now … Continue reading