About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Tag Archives: Handel
Delirious Pleasure
In most years—and this one was no exception—my favorite concert of the year is the appearance at Carnegie Hall of Harry Bicket and his English Concert, performing yet another Handel opera or oratorio. Last Sunday it was Rodelinda, which happens … Continue reading
The last time I was at the Met…
Since the Metropolitan Opera—not to mention the Metropolitan Museum and anything else with Metropolitan or New York or City in its title—is on indeterminate hiatus during the current crisis, I thought I would reflect on the last opera I saw … Continue reading
Heaven
One of the high points of my spring visits to Carnegie Hall, these past few years, has been the annual performance by the English Concert of a Handel opera. It is the closest thing to a sure-fire ticket there is, … Continue reading
A Dreamlike Alcina
Ever since I saw an incredible production of Handel’s Alcina at the San Francisco Opera about a dozen years ago, it has been one of my very favorite operas. I listen to the CDs all the time (I have the … Continue reading
Arcangelo
Going to hear a musical group you’ve never heard before always entails a risk, but the risk tends to be less with Baroque music, which—if it is played at all—is usually played at a fairly high standard. The risks in … Continue reading
Dream Opera
There is something about Handel’s operas and oratorios that stimulates an astute inventiveness in modern-day directors. Or so it seems, at any rate, from the five fully staged productions I’ve attended in the last three years. Of these, one was … Continue reading