About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Tag Archives: bam
Looking at Love Again
A couple of weeks ago, I was able to get another glimpse of Mark Morris’s delightful tribute to Burt Bacharach songs, The Look of Love, which was playing for four days at BAM. This was actually my third encounter with … Continue reading
A Richard for Our Times
In the spring of 2015, at the Schaubühne Theater in Berlin, I saw Lars Eidinger perform the role of Richard III in Thomas Ostermeier’s production of the Shakespeare play. At the time, I was both bemused and entranced. “This isn’t … Continue reading
Song and Dance Man
The two operas directed by Mark Morris that appeared at BAM last weekend were as different from each other as they could be, and yet each bore the mark (so to speak) of their choreographer-director. What this means, among other things, … Continue reading
A Full October
Once again I have been so frantically attending things that I’ve neglected the blog. Here, in summary form, is my attempt to catch up. A few of these items may reappear later in longer, printed essays. October 10 and 11: … Continue reading
Orientalism on the Stage
By pure chance, I suppose, the first three performances I saw in New York this season were all afflicted with Orientalism, that hokey variety of East-West fusion which Edward Said brought to our collective attention a number of years ago. … Continue reading
Art That Speaks to Us
On the first Thursday of October, I went to BAM to see the Berliner Ensemble production of The Threepenny Opera. Naturally my standards for this play are extremely high: the affinity I feel for it extends beyond its title to a number … Continue reading
Seeing The Hard Nut Once Again
Mark Morris’s The Hard Nut is a Christmas confection, but I first saw it in the summer. It was August of 1995, and my husband and I and our ten-year-old son traveled north from London to catch the highlights of the … Continue reading
A Month of Performances
It occurred to me that it would be useful to chronicle the live performances I saw in New York during just the past four weeks. March 2007 was not an unusual month, in that the number of events I attended … Continue reading