About
I decided to start a blog for three reasons:
1) People felt that there should be a part of the Threepenny website that was available only online, not in the printed magazine.
2) Some of the things I wanted to write about seemed as if they would benefit from a slightly more timely response than our usual quarterly publication permitted.
3) I was seeing and hearing so much interesting art — especially in the areas of dance and music, though also in literature, theater, and the visual arts — that I couldn't fit everything I wanted to say into The Threepenny Review without taking over the whole publication. And if you are not Diderot or Karl Kraus (and I am certainly neither), it is never a good idea to write the whole magazine yourself. But I figured the rules of blogs would allow me to monopolize one of those.
I struggled to come up with a good title for the blog and at first resisted using my own name, feeling (as those named Lesser are bound to feel) that diminishment is not necessarily a selling point. But then I figured that if people named Grudge or Drudge can use their names on websites, I should certainly not be abashed at calling this The Lesser Blog. So here it is, and I hope you enjoy it.
Wendy Lesser
Editor, The Threepenny Review-
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Author Archives: Wendy Lesser
Two Surprises
Though I’ve had some surprises from Music@Menlo in the past (most notably when they introduced the Danish String Quartet on these shores), I find myself attending their concerts mainly to have my high expectations fulfilled. Predictably excellent performances of good chamber … Continue reading
Igor Levit in San Francisco
For those of us in the Bay Area who care about classical music, the last two weeks have mainly been taken up with Igor Levit’s residency at the San Francisco Symphony. I wrote about this marvelous pianist last fall, after hearing him perform all … Continue reading
Glorious Shostakovich
I think the Fourth Symphony—which Shostakovich wrote after being castigated by Stalin for his opera Lady Macbeth of Mtsensk, and which as a result was pulled from its 1936 premiere and not performed until after Stalin’s death—might be my favorite of … Continue reading
More Than One Tetzlaff
Since Christian Tetzlaff is‚ and has been for decades, my favorite violinist in the whole world, I take every available opportunity to hear him. And this has meant that two or three times I’ve been privileged to hear the Tetzlaff Trio—most recently … Continue reading
The Look of Love
Like Pepperland, the evening-length work set to Beatles songs that Mark Morris created a few years ago, Morris’s new Burt Bacharach production, The Look of Love, is pure pleasure. I went twice when it appeared at Berkeley’s Cal Performances this past weekend, and I … Continue reading
A Thrilling Wozzeck
I’ve attended at least four other productions of Alban Berg’s marvelous opera, and all but one have been excellent. It’s almost a sure thing, if you have good enough singers, competent musicians, and a simple enough staging. That’s the only … Continue reading
Chamber Music
It is foolish to wade into the mild controversy currently surrounding the Chamber Music Society of Lincoln Center, but I have never been afraid of appearing foolish. It kind of goes with the territory. The controversy, typical of our day and … Continue reading
A Reopened Carnegie Hall
On Thursday night I took a friend to Carnegie Hall to hear Leonidas Kavakos and Yuja Wang play a concert of Bach, Busoni, and Shostakovich. My friend hadn’t heard live music in nearly two years, and she was utterly thrilled to be back … Continue reading
A Random Opera Thought
I’m listening to the Elisabeth Schwarzkopf recording of Così fan tutte and am struck by the same thought I always have when hearing or seeing this opera: How is it that Mozart’s greatest music belongs to his most hateful plot? … Continue reading